Chinese Funerary Figurines Ancient people believed in the immortality of the soul and its continued existence in the afterlife. In early antiquity, it was not uncommon to bury humans alive alongside the dead. During the Shang (ca. 1600–ca. 1100 BCE) and Zhou (ca. 1100–256 BCE) period, the nobility generally lived a luxurious life; in order to main this lifestyle after death, a large number of the deceased’s slaves would be interred alive alongside their master. Chinese Funerary Figurines
如何分辨俑的「身份」? 春秋時期,人們製作陶俑不太深究俑的身份。自秦代則開始講究隨葬俑的工作性質。秦始皇陵兵馬俑可以分為兵與將,包括將軍俑、武官俑和武士俑。 Chinese Funerary Figurines
俑在南北朝至清代的發展歷程 魏晉南北朝時期各民族間戰爭頻仍,民族遷移促進了全國民族大融合與文化間的互動交流。此一時期的陶俑在風格上顯示出時代特徵,即陶俑在形體和相貌上都表現出少數民族特色。 Chinese Funerary Figurines Chinese Sculptural Art
上古至漢代的俑有何特色? 中國古代社會進入奴隸制時代以後,尤其是到了商代,在藝術創造上,儘管與原始社會有着直接的承襲關係,但蘊含於作品中的思想內容與審美感情卻迥然異趣。 Chinese Funerary Figurines First Emperor of Qin The Terracotta Warriors Chinese Sculptural Art
中國俑有哪些文化內涵? 俑作為一種隨葬品,是古人喪葬觀念的產物,直接反映當時的喪葬制度和喪葬禮儀。因此,通過對古代俑的研究,可以深入了解在中國古代禮制中佔有重要地位的喪禮及喪葬風尚。 Chinese Funerary Figurines Chinese Funerary Customs Chinese Culture
俑有甚麼用途? 春秋戰國時期,生產工具大改進,社會生產力迅速提高,人們的認識水平也在向前邁進,無論從文獻還是考古資料來看,人殉數量、規模都較前減少。 Chinese Funerary Figurines Confucius Chinese Funerary Customs
誰是始作俑者? 古人相信死後靈魂不滅,在另一世界繼續生活,所以自古以來就有陪葬的習俗。從考古發掘資料看,早在新石器時代的墓葬中已發現有專供隨葬的器物。 Chinese Funerary Figurines
The Art of Chinese Painting The history of Chinese painting dates back over five thousand years when petroglyphs, pottery ornamentations, and pictures incised on utensils first appeared. Paintings on silk that were made two thousand years ago during the Warring States period (476–221 BCE) have been unearthed which demonstrate that a mature style of Chinese painting was already developed at this early date. The Art of Chinese Painting
中國畫有哪三大體系? 中國畫起源很早,五千多年前即出現原始岩畫和彩陶紋飾以及器物上的形象刻畫。出土的距今2000年戰國時代的帛畫,說明中國繪畫在當時已形成民族特色。 The Art of Chinese Painting
魏晉時期的灑脫風度如何在畫中呈現? 魏晉南北朝是繼春秋戰國之後,一段政權分裂、朝代更迭的歷史時期,同時也是一個人才輩出、人性覺醒、自由解放和富於智慧的時代。「魏晉風度」、「魏晉風骨」造就了一代的藝術精神。 The Art of Chinese Painting
何謂中國繪畫四大理論? 謝赫是南齊畫家,生卒年不詳,著有《古畫品錄》,是中國最早的畫品專著。他在此書中提出著名的「六法」,以六法為品評準則,將三國東吳的曹不興及其後的28位畫家,分作六品,以示優劣。 The Art of Chinese Painting